Review: Beyond Belief
February 7, 2015 11:04 amAlan Haber’s Pure Pop Radio | Beyond Belief/A Tribute to Elvis Costello
We’ve talked about the compiler’s art before, and make no mistake about it–compiling a tribute albumis an art. Practicing the art for this three-disc tribute to Elvis Costello are compilers Olivia Frain and John M. Borack, both longtime Costello fans. Frain, a dedicated music fan, and Borack, a music journalist who has also served as executive producer for 2002’s Right to Chews: Bubblegum Classics Revisited and 2001’s Shoe Fetish: A Tribute to Shoes, set about contacting artists and putting into motion all of the behind-the-scenes nuts-and-bolts tasks necessary to bring the set to market.
This mammoth collection, gathering together covers of Costello numbers from 50 artists, is a delight to listen to from head to toe. As noted in the set’s booklet, “100% of the proceeds…will be donated to the Mr. Holland’s Opus Foundation. The Mr. Holland’s Opus Foundation keeps music alive in schools by donating musical instruments to under-funded music programs, giving youngsters the many benefits of music education, helping them to be better students and inspiring creativity and expression through playing music.” In an era in which arts programs are often cut from schools, this is a most welcome and vital effort.
Beyond Belief is chock full of choice Costello songs performed by artists who obviously love the source material. And what’s not to love? Costello has been a favorite artist of music fans since he first burst on the scene in 1977 with his debut album My Aim is True. Along the way, he has delivered songs in all manner of genre from rock to pop to R&B to country and back again. Proof of this ability to jump from one style to another at the drop of a tone arm is reflected in the tracks chosen by the artists appearing here.
While some artists stick to the plot of land originally planted by Costello, others reimagine the master’s songs and work with new approaches. David Myhr, late of the Merrymakers and now a favored solo artist, delivers a wonderful version of “Veronica” (co-written with Paul McCartney) that basically sticks to Costello’s blueprint but takes the song at a slightly slower tempo and adds more of a glossy, pop sheen. The Rubinoos trade a blaring horn section for the original’s organ part and temper Costello’s snarl with a bit of a poppier vocal approach in a jazzier, new version of “Pump It Up.” Mike Viola turns in a basically reverent version of a Burt Bacharach co-write, the majestic “God Give Me Strength,” in what amounts to a somewhat more intimate, drawing room-like performance; Viola’s gorgeous vocal is delivered over a bed of acoustic guitar and chamber strings, minus the horn present in Costello’s original version.
Three tracks, in particular, take the art of covering a song to new heights. First and foremost, the award goes to Jamie Hoover and Steve Stoeckel, better known as Jamie and Steve, who pull the rug out from under Costello’s “Blame It On Cain” and shake out the dust like men on a mission, turning in an amped-up, wild a cappella version powered by doo-wop muscle and good, old-fashioned chutzpah. Not only do Jamie and Steve prove how good the song is, they turn it inside out and rebuild it from the ground up. This is a spectacular performance that will have you hitting the repeat button over and over.
To Costello’s original, moody version of “So Like Candy,” a co-write with Paul McCartney, Paul Myers adds some poppy vocals and a ghostly percussion track and approaches Costello’s bridge as if it were coming straight off of a scratchy vinyl copy of the song. It’s a welcome surprise that, along with Myers’ assured vocal, is one of this set’s major delights. Another top shelf approach is that of Lannie Flowers, who takes a basically reverent run through “Radio Sweetheart,” yet surprises listeners by turning the proceedings on their collective head at 1:55 by introducing a decidedly mystical aura for 37 enticing seconds.
What tribute albums such as Beyond Belief offer, aside from giving artists the chance to play in someone else’s sandbox, is proof that good songs will retain their value as each calendar year passes. New coats of paint in the form of new approaches or reverent run-throughs are good for the songwriter’s art, and good, also, for the compiler’s art. With Beyond Belief/A Tribute to Elvis Costello, the compiler’s art has been raised to new heights.
[Twenty-one tracks from Beyond Belief/A Tribute to Elvis Costello have been added to the Pure Pop Radio playlist and are now playing in rotation: “Girls Talk,” Rob Smith; “Brilliant Mistake,” Dennis Schocket and Cliff Hillis; “The Other End of the Telescope,” Butch Walker; “Veronica,” David Myhr; “Kinder Murder,” Popdudes; “No Hiding Place,” Michael Carpenter; “Blame It on Cain,” Jamie and Steve; “Monkey to Man,” Kelley Ryan; “I Hope You’re Happy Now,” Severo; “Pump It Up,” The Rubinoos; “Radio Sweetheart,” Paul Myers; “Tear Off Your Own Head (It’s a Doll Revolution),” Hans Rotenberry; “Possession,” Barry Holdship; “This Year’s Girl,” honeychain; “Green Shirt,” Scott Bennett; “God Give Me Strength,” Mike Viola; “Radio Sweetheart,” Lannie Flowers; “Man Out of Time,” Bill Lloyd; “Almost Blue,” Nick Heyward and the 13 Satellites; “Crimes of Paris,” An American Underdog; and “Mystery Dance,” sparkle*jets UK] – Alan Haber